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"Doctor", Parody of "Starman"Another lonely night in Leadworth by myself
Nothing to do, I was bored you know ow ow
This crack was scarin' me, something bout Prisoner Zero it said
Then a loud sound, then a man (not ginger)
Made me cook him up custard and fish fingers
That weren't no policeman, this was something much more weird
There's a Time Lord waiting in the sky
He's coming down to meet us
But I think he'll blow our minds
There's a Doctor waiting in the sky
He took me on his spaceship
Said he'd need me for a while
He tells me:
"I've heard children crying
To save them all I'm trying
And just this once, not lying."
He took me up and showed me everything ing ing
Left my fiancée and engagement ring ing ing
Met up with Van Gogh and with Winston Churchill too
I got pregnant, had a baby girl irl irl
She grew up and was then feared by every world orld orld
She was my best friend too, now tell me, is that not right?
So I'm Amy, floating through the sky
Then Rory came to meet us
But he always seems to die
So we're h
Watched by a godA god sat on his throne of clouds and observed the world beneath him. This was one of his least favourite planets, a pathetic little blob of green and blue in an old-fashioned section of the universe. He didn't know why he'd chosen to watch them, barely paying attention, the way they watched their televisions.
The inhabitants had named it Earth, but it was known by a much more offensive name in ethereal circles.
The natives here, a mostly sapient race called humans, had messed up. Many planets had races that had failed, but few had failed as dramatically as the humans. While other cultures explored the limits of knowledge and scientific advancement, humans had apparently given up, inventing instead a billion and one ways to amuse themselves without achieving anything worthwhile.
The slacker species of the universe a species predisposed to play.
Last time the god had watched here, the humans had just worked out exactly what gravity was and how it worked. It was hardly a mystery b
Xanthic LightAlice and Edward stepped closer together, examining one another in the streetlight. Both of them had aged since they'd last seen one another and looked curiously the same but so different.
"Can you believe it's been fifteen years?" Edward said, raising his hand to stroke Alice's hair.
"Don't," she said. "Edward, please don't do this."
"Fifteen years," he said again. "Great Scott, you can't tell me that the feelings aren't still there, even after all this time." He begged her to agree with him.
"I can't," she said, refusing to look at him now he was so close. Just run, she thought. Kicking herself inside, she wondered why she had agreed to see him. Love didn't fade, even after all this time.
"Maybe I should just go," she said.
"No," he said, firmly. "Oh please, don't go. Please, I made such a mistake when I left you. Queen of my heart, forever and a day." Roaring cars passed them on the bridge, a few of them wondering who the two people were chatting over the water. She wished she had j
Deceased - IIIDying hurts, and don't let anyone tell you any different. People bang on about how, "Oh, he died peacefully in his sleep" and shit like that but don't believe a word of it. OK, my death was violent anyway nothing prepares you for being catapulted through a windscreen but I've spoken to people up here who've died in their sleep and apparently it's no less painful. It's something to do with the soul having to be ripped from the body "ripped" being the key word here.
On the whole though, once you've gone through that, it's actually quite peaceful. I thought I'd be worrying non-stop about the people I've left behind but as it turns out, I'm not. That's not to sound selfish, it's just that once I'm up here, there's nothing I can do about them. Well, OK, so I can help one person, but you don't get any choice in the matter.
Everyone's a guardian angel up here, see. You die, you cover someone's back until the time they're destined to die, making sure they don't pop it firs
Painter - IIWith Josh gone, I don't know what to do anymore. I know we were together for just eleven months, but it felt so right. I guess it always feels right at the beginning if it didn't, you wouldn't press on. Art is my final class of the day but I'm not really with it. We're supposed to be painting the still life in front of us a mish-mash of fabrics, fruit, stuffed birds and the top half of a mannequin but my mind isn't on it. Everyone has made some progress but I still have a pure white canvas staring back at me.
I pick up a paintbrush and continue to think about Josh. It's been a week now. I had a few days off school for it but because I'm not family or anything, I can't get compassionate leave or anything. I've just got to press on. It's hard to think of him laughing and joking now I've seen him with his blood and brains smeared across the front of his car. My leg still twinges a bit from where it was caught under the dashboard, but it's not severely damaged.
Grapevine - IYou'll never guess what I heard! No, wait, I mean it! I shouldn't even really be gossiping about it but I had to tell someone. Do you remember Pete? You know, Pete thingy? The one who was going out with Tina but they broke up when she slept with his brother? You must remember! Think back, it was huge news like, last month. No, two months ago. I don't know. Yeah?
No, well anyway, you remember his mate Duncan? Oh you must know! You'd know him if you saw him he's the one who got really wasted at Anne's eighteenth? Jumped on the table and declared himself King of the Lesbians? Long hair? Anyway, never mind him, it's his brother, Josh. You have to remember Josh! That's right, the one who spent last Hallowe'en making eyes at you and your pumpkin costume. Totally hot.
Anyway, yeah, you'll never guess what happened! He was out driving with his girlfriend Becky you must know Becky and anyway, what they're saying is that he swerved to avoid a deer and crashed and he's dead.
I wake up.I wake up.
I'm on a dark desert highway and I don't remember how I got here. There are a few stars in the sky but no moon and not enough light to guide me. I reach into my pockets and pull out a torch, but with nothing for the light to bounce off, I cannot tell how far I am from anything.
I begin to walk, and I walk for several hours, or maybe days, or maybe just a couple of minutes. I arrive at a house with lights burning from every window. I knock on the door and the wood sounds like metal. There is a clank and a clang and the door opens slightly.
An old woman's face looks out at me. She screams something in a language I don't understand and I feel a bullet lodge itself in my lung. I choke and I wake up
I'm leaning against a set of lockers in my school corridor and I don't remember how I got here. It's after hours, still light outside but the school is empty. I walk down the corridor, which seems longer than I remember. It takes an hour to reach the door at the end. It's locked
Letter To The Future21st July 2010
To Whom It May Concern:
If you have found this letter, congratulations. I am writing this in the year 2010 and hopefully, nuclear war permitting, it will have reached you in the year 2110. The language I am writing in is English which, while I assume will still be a dominant language in one hundred years time, may have been killed off by the Chinese.
2110 sounds so futuristic, but once upon a time 2010 sounded like that, yet here I am. It's weird to think that this year is now history to you, the way we look back at 1910 and think they were a bit backwards. You probably think that about us.
It's 41 years since humans first landed on the moon (unless that has since proved to be a hoax) and we've currently no signs of heading into space again. They keep talking about it, but there's nothing happening. I hope we're on the moon by the time you read this. Hopefully you've got to Mars by now. Maybe you're reading this on Mars!
Are there aliens yet? The closest we get is Doctor
Excerpt: 2117The first noise I heard in one hundred years was a gentle hiss. I felt dizzy and realised that I was lying on cool marble table wearing only shorts. There was a mask over my mouth, feeding me oxygen. I turned my head gently to the side and noticed that the mask was connected to a tube, which fed down into a small glass dome. Inside the dome was what appeared to be a bonsai rainforest.
What I presumed to be a clock was on the wall just above it, although it was hard to tell. It had no hands but instead four circles of various sizes were in place beneath the numbers, one of them ticking with what I presumed were seconds. One was moving too fast to be properly seen.
The hissing continued, very faintly. I wanted to sit up but I quickly realised that my wrists and ankles were fastened to the table, although I could feel no fastening at all. It was almost like I'd been magnetised and stuck to the fridge.
I heard a door open and someone entered the room, and at the same time, the oxygen mask
eight ways you've made me small1. I wish
this was for you.
2. my journal pages - the
brown one with all our monologues -
were jarred with hollow vows of
last poems of
letting you slip into a coma
of bad memories, watching you
fall to your death off
a cascading cliff of disease
and dis ease.
it was never
easy for me
3. there's a reason I ask
whether you're grey
(dark white, elusively black, in between)
or blue (behind the clouds, under wave-foam,
whateverthefuck runs through the back of my
palms); I'd rather have
than the arms
that once held you half-
heartedly. you had always been
my harmony and I
would have killed
to have been yours.
4. it could never have been just me, the way
it could never have been just
5. disasters are not beautiful,
but how is it that you
managed to make my inner linings
converge into bows
and explode into wings the very
night you decided to rebuild your walls
to a lower height?
6. I wish
diaryi thinned recall,
strangled memory until she screamed black
or blue, strung her source of voice along
the willowed incline of vein to wrist and down
let the curl thirstily imply
just how cut it is to pain in numbers:
one scar for extravagant wine dates, three
for the number of times we fucked crying,
eight for forgotten promises of ever after
i heard a sordid song in your tallied matchstick
bones, victorian in beauty & proper repression
of the bloody details like a bruise we push beneath
our hollow skin with dirty fingernails
see, the past is not a headless infant with knives for
playful fingers, though it is not to say
that cribs or birdcages hold anything more than
what we leave them to engulf
i swallowed you whole, ocean— basked by the enchantments
of soft-spoken life, bathed by neurotic erosion.
they taught me that the cleansing of your body now
fades the transient you of yesteryear, speak in familiar tongue:
bathroom stall mirages of rounds, clocks, convey
ExpirationWith you I always feel like I’m
to break in the wrong size of shoes.
Sometimes I sit and stew
over how you’re seventeen and
you think I’m a princess
the trapped-in-a-tower kind
and how you wear suits and talk about politics
and think you know the world.
My throat interrupts with an affronted gurgling sound
sometimes when I think about you,
you deal out advice where it just isn’t called for
you quote science-fiction to justify war
and you’re seventeen years old and you think I’m a princess
and you just have no blooming idea.
Darling, one of these days I will tell you my mind
But until then we’ll never fit
I’m afraid –
that even after that day
you’ll still be trimmed hedges and
Whenever I hurt myselfI have a feeling
Someone is watching
So I look around
But there's no one to be found
Makers Of The Cage. Holders Of The Key.Our eyes are the closest thing we have to freedom.
We see endless blue sky, and the stars beyond.
We see the beauty of the world.
We see our reflection in the mirror;
the reality, and the fantasy.
Our eyes see far and great.
But the rest of us cannot follow.
Our hands probe the steel bars around us.
Fumbling in the dark.
Cut by the sharp edges.
The bleeding never stops.
Our feet shuffle around.
Trying to go places.
But we walk in circles.
Our emotions go from red to blue;
orange to green;
yellow to purple,
mixing in a haze.
Our mind goes to dark places,
and only wanders deeper.
Oblivious to the place right next door.
It knows the freedom,
it knows the pit.
There are endless paths to take.
There's a cage we need to break.
There is a key ourselves create.
In our hands, it's never too late.
a cherry pit dog heart.she holds a cherry pit dog heart in her hand, arrhythmic
beats like children playing pots and pans in kitchens
mother builds from scratch, black bean soup prepared
for dinner by a creased artist; wisps of white
upon a grandfather's head remind his daughter's child
of winter as he talks of horses in cuba who scratch
their backs on wooden posts; the first time she eats
ox tail is at an uncle's funeral, sitting in the basement,
surrounded by her surname, wondering why everyone
seems so happy; her grandmother keeps having
that dream where she's cooking and pours hot oil
on the animal in the kitchen, singeing his skin—
she cries out at midnight, sobbing for her daughter;
black eyes watch as her child keeps growing,
inspecting her process for future improvements,
while she takes pride in getting her sleeve caught
on twigs as she runs through the forest; motherhood
enters her every so often, at times uninvited, but
never for her prince in white, the bundle curled up
on her bed, floating
on bradbury and table dancingYou are not a wordsmith
whatever you might like to think. ('Smith'
indicates precision and coldness and fire:
words are softer than that unless you mold them strong.)
It's a difficult road to follow, and not many
make it past the fork. Choose a path,
Janus says, whirligig keys spinning on his shoulders:
I am a wordworker, with my tools too crude, forming
rough-edged carvings painted with pretty imagery.
Notebooks scattered across the landscape
of a child's room, to be stumbled across,
read, red-penned, in the thick and choking breath of night.
When the bough breaks
a hanged man laughs. He carries typewriters
in his pockets, and cigarettes in the soles of his shoes.
I will never be a word mistress,
whoring myself to the speech of people I do not know and will never know me.
The oven is set to Fahrenheit 452, but the words were already aflame
before they ever took shape under your tongue.
You love everything they've ever written, and carry
unabashed loathing for every syllabl
Quilt of LifePick it up, turn it
Analyze its weight, texture, color
Where does it fit?
Look for a space
Maybe find one
Sew into place
How much to invest?
Central or peripheral?
Perhaps to divest
Weave the tapestry, cohere the quilt
Pricked fingers, drawn blood
Fearless weaver, exacting selection
Self worth reflects in the thread
Awaiting a tardy un-required kiss
Solitude's a known companion
Its pain numbed by the flow of years
She holds out for quality
I Stare Out Into The Lake
I stare out into the lake.
How I wish I was free.
Fish swim beneath me.
Fish do not fall in love.
Fish do not get their hearts broken.
Maybe this is how a fish feels when someone catches it.
I feel the hook in my mouth, dragging me away.
A kingfisher darts past me.
I wonder if they fall in love.
No kingfisher would cheat on their partner.
Humans are useless.
Perhaps I should be a tree.
Trees have no feelings.
Trees would not feel this pain.
But it must be a very dull life.
I stare out into the lake.
How I wish I was free.
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^Nyx-Valentine arrived in our community and started whipping everyone into a frenzy with her relentless desire to bring the Artistic Nude and Fetish galleries to the fore. 9 years later, and it's safe to say that Nyx is not only a leader as a photographer in these galleries, but she has also established herself as a much saught after model. ^... Read More